Sam Knot | Lamb's Head Soup

 

3.

There is something of my faith in the blank page, such that it isn’t belief — as perhaps many might understand it — so much as an incredulity concerning that which is added. It really is more like doubt, or perhaps scepticism.

I might’ve enjoyed your soup just fine — I take no issue at all with the hot water part. But let me stay with the blank page a minute: It is part of my art to imagine myself an unblanker of them: I like to decorate, I like to write, I like to experiment with marks & media. A memory may arise, get added: cleaning the old enamel cooker top, losing my patience with some cooked on goo, going at it with the scouring pad: I get rid of the crust but I scratch the enamel. It makes me sad — there is no going back — this old thing will keep deteriorating until it is useless & with this mark I have basically inscribed this fact, drawn myself a picture of it to look at every time I cook.

There seems little doubt about this mark. Perhaps because the adding is in part a taking away? More likely because it already accords with certain beliefs I have concerning Reality — common ones induced by common experiences: what is done is done & any form of undoing must begin by accepting this.

Might end otherwise, mind.

The smile in that sentence is a sign of my faith. It is these kinds of marks that I find most convincing. More convincing than any logic, you understand? Quite beyond reason. Yet subtle enough. Not idiotic. You could reason about it, just I would only find it convincing if it had that smile, if it was able to lay its hand on me in a certain way. It’s reassuring, but only really because it neither is nor is not reassuring. It’s true. Somehow the page is still blank. The smile was already on it.

Can life write home?
Can life write home?